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	<title>sadara.be &#187; Fairuz</title>
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	<description>strange fruit</description>
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		<title>valediction</title>
		<link>http://www.sadara.be/2009/01/16/valediction/</link>
		<comments>http://www.sadara.be/2009/01/16/valediction/#comments</comments>
		<pubDate>Fri, 16 Jan 2009 13:14:02 +0000</pubDate>
		<dc:creator>sadara</dc:creator>
				<category><![CDATA[journal]]></category>
		<category><![CDATA[music]]></category>
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		<category><![CDATA[Fairuz]]></category>

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		<description><![CDATA[I was at a funeral on Monday. Not someone I knew well &#8211; the father of a friend. In the last week I&#8217;ve also been in contact with an old friend in Israel I&#8217;ve not heard from for many years, so what with the news from Gaza, maybe it&#8217;s not so surprising that I&#8217;ve had [...]]]></description>
			<content:encoded><![CDATA[<p>I was at a funeral on Monday. Not someone I knew well &#8211; the father of a friend. In the last week I&#8217;ve also been in contact with an old friend in Israel I&#8217;ve not heard from for many years, so what with the news from Gaza, maybe it&#8217;s not so surprising that I&#8217;ve had death and loss on my mind.</p>
<p>So &#8230; here&#8217;s a mix of music which begins with <a href="http://en.wikipedia.org/wiki/Fairuz" target="_blank">Fairuz</a> evoking Christ&#8217;s <em>Passion</em> closely followed by Emily van Evera singing the famous <em>Dido&#8217;s Lament</em> from Purcell&#8217;s opera <em>Dido &#038; Aeneas</em>. Two sublime voices from very different traditions.</p>
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<p>There&#8217;s <em>Chôros No. 1</em>, one of the best-known guitar pieces by Villa-Lobos, followed by another sublime voice, that of Amália Rodrigues, singing <em>Fado da Adiça</em>.</p>
<p>Rokia Traoré sings <em>Finini</em> next. The translation of the words of this song is:</p>
<blockquote><p>
Nobody has both everything and nothing<br />
Everything&#8217;s favouritism and inconvenience<br />
That&#8217;s the way it is<br />
Some people say that what we are, we asked for it<br />
Others think that everything has a transcendent reason<br />
Still others receive everything with a peaceful fatalism<br />
No matter what your principles are<br />
Hold the cloth that absorbs tears</p></blockquote>
<p>Ghazal play a piece called <em>Pari Mahal</em>, which is followed by <em>To a Dead Friend</em>, part of the soundtrack to <em>Eternity and a Day</em>, composed by Eleni Karaindrou. The mix ends with a cheeky bit of froth from Werner Egk&#8217;s opera <em>La Tentation de Saint Antoine</em>, sung by Janet Baker.</p>
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